Canon EF 24-70mm f2.8L USM II

Desember 31, 2021 Posting Komentar

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Highly Recommended award Canyon's EF 24-70mm f2.8L USM is a favourite of pro portrayal and wedding photographers, and is directly more best-selling than ever in an improved Mark II version. IT delivers a perfect range on full-frame bodies for events from group shots to single portraits, and is also heavy for cropped bodies if wide-cut-fish isn't historic. The f2.8 aperture may non be as bright as short telephotograph primes, but static delivers Nice fuzzy backgrounds and every bit an 'L' model it features excellent shape upper-class and smooth-textured manual focusing. The Cross II version delivers superior quality to the original and is preferred, but it's a ignominy there's still atomic number 102 optical stabilisation; also beware the wider 82mm filter thread on the new model. Note Canon also offers a newer 24-70mm with stabilization, only with a slower f4 aperture which makes it less magnetic for portrait and low light work. Owners of Canon's cropped-frame / APSC DSLRs may be interested in the older but still attractive EF-S 17-55mm f2.8 IS USM, while owners of Canon's EOS R glutted-frame mirrorless system with a high budget could pop off for the upcoming RF 24-70mm f2.8L IS USM both of which include project stabilization. If you really want to push the boat out along something primary though, EOS R owners can splurge on the RF 28-70mm f2L USM, the brightest full-frame general zoom albeit at a very high price.

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Canon EF 24-70mm f2.8L USM 2

14th May 2013

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Canon's EF 24-70mm f2.8L USM is a favourite of pro portraiture and wedding photographers, and is immediately more favorite than ever in an reinforced Mark II version. IT delivers a pluperfect range connected fraught-fles bodies for events from group shots to single portraits, and is also majuscule for planted bodies if fisheye isn't important. The f2.8 aperture may not Be equally bright as short telephoto primes, only still delivers courteous blurred backgrounds and as an 'L' model IT features excellent build prize and smooth manual focusing. The Crisscross II version delivers high quality to the novel and is preferred, merely information technology's a shame there's still no optical stabilisation; likewise mind the wider 82mm filter thread connected the brand-new model. Government note Canon also offers a newer 24-70mm with stabilization, but with a slower f4 aperture which makes it less attractive for portrait and low light work. Owners of Canyon's cropped-frame / APSC DSLRs English hawthorn be curious in the older merely still attractive EF-S 17-55mm f2.8 IS USM, while owners of Canon's EOS R full-soma mirrorless system with a higher budget could go game for the upcoming Element 104 24-70mm f2.8L IS USM some of which include image stabilization. If you real want to push the gravy holder out on something special though, EOS R owners can binge on the RF 28-70mm f2L USM, the brightest full-frame general zoom albeit at a rattling high price.